Inception In Real Life

I wrote this little idea out a few years ago, but it’s something I still think about, and I don’t think a lot of people realize that the concept of Inception is present in everyday life.

What is the most resilient parasite? Bacteria? A virus? An intestinal worm? An idea. Even though the movie Inception is based upon the abstract idea of dream sharing, the concept of implanting an idea in somebody’s mind exists in real life. My first thoughts about the idea of Inception began during my CJ 491 class when we discussed the idea of positioning, which can be broken into three types:
• Positioning: the process by which marketers try to create an image or identity in the minds of their target market for its product, brand, or organization.
• Re-Positioning: involves changing the identity of a product, relative to the identity of competing products, in the collective minds of the target market.
• De-Positioning: involves attempting to change the identity of competing products, relative to the identity of your own product, in the collective minds of the target market.

My professor made me think of Inception when he described positioning by saying, “We aren’t changing products, but the perception of the product. We try to change how people think about things so that when they do something they don’t even know why they do it.”
One of the best examples of inception in advertising is that of the Cheerios brand name. Cheerios made itself stand out from other oat based cereals because it can, “Help lower cholesterol.” Lowering cholesterol is almost synonymous with Cheerios, and the claim would seem to warrant the price difference between Cheerios and generic brands. The thing is, all oat based cereals lower cholesterol, Cheerios just saw that they had a chance to change how people thought of their brand by making a claim that would imbed itself in their minds. Since Cheerios was the first brand to claim that it’s cereal lowers your cholesterol, we believe their claim and dismiss other brands as “knock-offs” or inferior. This concept is called a U.S.P. or, Unique Selling Proposition which states that advertisements must make a proposition to the consumer (show a benefit), the proposition must be unique to the brand or product category, and the proposition must be able to move millions. It is because of U.S.P.s positioning must be used to get other products into our minds.
This got me thinking; the concept of Inception is not limited to advertising. It can be frequently seen in advice and criticism. Some examples of advice where inception can be seen are:
• “He/she isn’t right for you”
• “You’re too weak/small.”
• “You aren’t good enough.”
• “You’re a great person.”
• “You’re the best.”
• Virtually any other advice, positive or negative.
Granted, it isn’t guaranteed that inception will take place, because it shouldn’t be very easy to do, but it is possible. One thing that occurs to combat inception is rejection. For example: If you are in a relationship with someone and a friend says, “You two aren’t right for each other, you should break up.” You probably aren’t going to listen to the advice, and are going to reject it. However, once the thought is brought up it is possible that it will be sealed away in the back of your mind until you find a reason to awaken it again. If you start to ponder the thought of the person not being right for you, you may actually end up believing the thought and taking action as a result. If you begin to think the person is not right for you in a greater frequency over time, your thoughts will tend to skew towards believing the concept rather than the idea of your relationship being fine.
Have you ever heard the phrase, “If you tell/hear a lie long enough you tend to believe it?” Well, inception works just like that. That’s what the idea of dream levels is all about in the film-you start off with a simple enough idea and let it grow and evolve as it marinates in the person’s mind. Repetition also means inception is more likely to occur and you are more likely to accept an idea as one of your own. The concept of repetition also comes into play because like Cobb says in the movie, ideas are “resilient.” It’s likely that you are going to reject an idea that your mind is in direct conflict with, but the resilience of the idea after hearing it over and over may lead to you accept it in the end.
Inception can work in everyday life, but you don’t always see it. If you look back on decisions you have made, you may be able to decipher which ones were made out of your own thoughts or the thoughts of others. Either way, it’s interesting to think that a movie based upon such an “abstract” idea actually holds some truth in real life.

A Poetry Mixtape — Love Edition

While most people won’t watch all of these videos (some won’t watch any of them), I recommend you do even if you don’t watch them all in one sitting. They’re great examples of what a good spoken word performance is like. Admittedly, I’ve written about both, and whether based on my own experiences, those of people I know, or both, they are usually the most powerful poems to read/listen to. So, in this post, I’m going to feature some of my favorite poems by other people and mix in a few of my own, and I’m going to try to present them in a linear fashion to illustrate the evolution of both poetry and relationships. Rudy Francisco is one of my favorite spoken word artists, and his Love Poem Medley contains two poems that showcase the beginning and end of a relationship. Let’s start with the beginning:

This next poem is one written by me, and while it was turned in as a poetry assignment because I wanted feedback on it, I wrote it specifically for someone. While most of my poems have a degree of personal involvement, this is one of the rare times that it was 100% written about, to, and for a person in my life. Imperceptible I love you as certain dark things are to be loved, In secret, between the shadow and the soul. I see the cosmos in your eyes. My lungs, the universe–ever expanding, breath you into me. I would exhale if not for the fear of the impending loss. Still, you escape me, a smoke silhouette in lonely air, dancing with the horizon until the sun falls under the plateau. Unseen, this love survives as air does —like a god. Omniscient and omnipotent, this love flourishes in all seasons, illuminates ocean trenches with flame, it consumes shadows, and whispers thunder. That poem, was partially written in response to Pablo Neruda’s (arguably my favorite traditional poet) poem: Sonnet XVII I do not love you as if you were salt-rose, or topaz, or the arrow of carnations the fire shoots off. I love you as certain dark things are to be loved, in secret, between the shadow and the soul. I love you as the plant that never blooms but carries in itself the light of hidden flowers; thanks to your love a certain solid fragrance, risen from the earth, lives darkly in my body. I love you without knowing how, or when, or from where. I love you straightforwardly, without complexities or pride; so I love you because I know no other way than this: where I does not exist, nor you, so close that your hand on my chest is my hand, so close that your eyes close as I fall asleep. Neruda’s poem captures the essence and intensity of a love that is so strong that the people are sharing their entire lives/souls. A more modern telling of these same types of feelings can be seen in this performance by Shihan:

Now, up there in popularity with love poems are break up poems. There’s no shortage of break up poems, and they range from hostile, bitter, hopeful, sad, tragic, etc. This first poem is meant to show that men can hurt just as much as women after a break-up; it tries to break the stereotype that men don’t really care when relationships end.

To bring Rudy’s poems full circle, here is the second half of his Love Poem Medley— the poem he wrote after the woman from the first poem broke up with him and got a new boyfriend almost instantaneously.

Pablo Neruda was no stranger to heartbreak either, but of his many poems about the topic, this has to be my favorite. It explains that thin line between love and hate and how no matter what, no matter how much you might hate the person who hurt you, you mainly hate that fact that you’re still in love with them—that love is painful. I Do Not Love You Except Because I Love You I do not love you except because I love you; I go from loving to not loving you, From waiting to not waiting for you My heart moves from cold to fire. I love you only because it’s you the one I love; I hate you deeply, and hating you Bend to you, and the measure of my changing love for you Is that I do not see you but love you blindly. Maybe January light will consume My heart with its cruel Ray, stealing my key to true calm. In this part of the story I am the one who Dies, the only one, and I will die of love because I love you, Because I love you, Love, in fire and blood. Lastly, if anyone is even reading anymore, a poem that I’ve been working on that may not be in it’s final iteration, but it’s at least presentable for now: Like Love Like Fire “Let’s fall in love as if the world was on fire and there is nothing left, but ash and us.” -Rudy Francisco I’ve heard people say, “Love is where you find your home inside the soul of another,” That, “love is friendship on fire,” burning deep into our bodies And igniting our hearts into unquenchable embers. ‘Cause like love, fire is beautiful, chaotic, And destructive. —if you love too much and get too close, you are going to get burned. And I wasn’t sure about the truth behind those things until an arsonist named uncertainty and the friction of distance created a spark on love letters we wrote in gasoline poured from our veins— I saw everything we had go up in flames. Our house that love built. Our house that love built fit two comfortably and left ample room for expansion, We could grow together. But after enough time in our house that love built, life’s stresses bowed the floors, rotted the wood, and cracked the foundation—we didn’t know until the walls started to crumble on top of us. Because love can’t stay the same – it changes – it warps and mutates, molting the shell of it’s walls, like a cicada – love doesn’t come around very often. Now, with blackened and bloodied hands, I crawl through the rubble of our love, Looking for something to save. I used to think love was eternal, but now I know that like fire, it burns slowly, growing hotter and brighter until there is no more oxygen left for it to survive, it wavers and flickers in the sighs when we realize there is nothing left to say. Now our love just lies here, smoldering – not yet ready to die out, waiting for the rain that falls from your ocean eyes on days I see you. Only then we can drown these ruins — and resurrect the phoenix of our love from the ashes. I just wish that it would rain.

Dream

When I told her I wanted to be a comedian,
I had to convince her it wasn’t a joke.
When I told her a joke,
She didn’t laugh—tough room.
As a mother, she taught me to dream big.
As a realist, she kept me grounded
Suggesting a minimum wage nine to five.

I’ve put in time, taken the tests,
Given into the request of
you need to find a back up plan, as if
my dream were just a telemarketer
always calling and interrupting our dinner.
A pest to be ignored–never seen.

Every now and then,I dream with my pen
dancing across the page, and I use it
as a mic on a paper stage.

Ethereal Breath (Fun fact: The first poem I wrote)

She sits with a sweater draped over her shoulders,
her gaze chases the corners of the room.
Our eyes meet.

“Do you want to dance?” I ask.
We unite in the middle of the floor.
Pulled together,
I’ve been waiting to be here.

Her eyes are thieves,
robbing my lungs of air.
I don’t look back,
for fear of what they might do.
I’ve lived this moment before,
played it over and over,
but I am paralyzed.

I know what is meant to happen,
but does she?
An answer I won’t know,
until I have a chance to breathe.

A calendar renewed
and I stand in the same prison she built.
Though I am not yet bound,
its presence looms,
capturing me without refusal.

Standing inches apart,
our thoughts run miles away.
The serendipity is all that remains.

As days pass,
our secrets are revealed.
Thoughts that follow
are tides that ebb and flow.

As I struggle to swim
in the rapid current of my mind,
solitude welcomes my head to its pillow.
Silence drapes itself over my surroundings,
and suffocates the air.

Conceived by a dream,
the emptiness of nothing,
does not exist.

I come back to the surface of reality,
and one thing remains true.
Chasing after no one,
I find myself chasing after you.

1:25 AM

I can’t seem to shake the thought
That I have been here before.
The consistent situation,
A basic case of Déjà vu.

Bound by the constraints of feeble words,
Things change like the very leaves I walk on.
Whether I will once again stumble remains
To be seen.

Yours are the words that resonate within my mind,
I’ve heard them before,
Though spoken by another.
My past fades back into view.

My habits repeat, but my thoughts do not,
For a lesson I have learned.
Patience breeds a better end,
Built on hope in place of scorn.
Time is the limitation of my resilience
To those thoughts that once took me.
The pen is my defense,
Keeping the soldiers of this mirage at bay.

Something seems altered,
Different pieces to the same puzzle,
The riddle replays,
The variable, seems more familiar.

Wait and see,
I ask of myself.
For the answer may be
As unknown as the catalyst.

Not a Game Anymore

The innocence of childhood is
lost
among the real monopoly we grow in.

Age brings identity.
Unknown
by the child inside.

The game continues,
its result,
may not be as imagined.

Once an escape,
now reality,
ruling over our lives.

Battered Hearts and Battle Wounds

She came to me with sandbag eyes-
another night crying hurricanes of non-existent inadequacies that
could break the levies of New Orleans all over again.
I wish I could expose her to the truth,
that he is a bad impression of a man,
just a mirage of me.

She introduced him.
I stretched out my hand, but hid a fist.
I knew if I searched the notches on
his bed posts I would find her name
among the obituary of all the hearts he’s killed.

I could throw fists at him,
but instead throw words to her. Metaphors and similes like:
—Like a solider storming Omaha Beach, I can’t find a way
to storm her walls before I’m gunned down.
I break through, she invents alibis to stay.
Her very own D-Day.

When it is finally over,
when her tides of pain recede,
I am brought into her fortress,
whispering forever, trust me.

Solanum Atropurpureum

Exposed to the air like the robes of Caesar,
Blood fills the fissures of the asphalt;
A violet sea of what used to give me life.

He came slowly, without a sound.
Stumbling toward me—his sandals broken
and shorts torn. Crimson glasses over his blind eyes.

The pockets of his singed, acid-wash jacket
revealed bony hands covered in a roadmap of blue veins.
Closing my eyes, he gave me a pen; write your story.

Imperceptible

I love you as certain dark things are to be loved,
In secret, between the shadow and the soul.
-Pablo Neruda

I see the cosmos in your eyes.
My lungs, the universe–ever expanding,
breath you into me.
I would exhale if not for the fear
of the impending loss.

Still, you escape me, a smoke silhouette in
lonely air,
dancing with the horizon
until the sun falls under the plateau.
Unseen,

this love survives as air does
—like a god. Omniscient and omnipotent,
this love flourishes in all seasons,
illuminates ocean trenches with flame,
it consumes shadows, and whispers thunder.

Praeteritus Preteritus

The blueprint of my life
will be written in Latin.
My past—a dead language,
never spoken freely.
Portraits of me are painted
freely, drawn in hieroglyphics
waiting to be uncovered
by someone who understands them.
A form of coded language,
Scholars and linguists may
decipher the inscriptions
carved into my soul,
but through Romantic language,
love will revive it.